Raw emotions keep the kettle aboil in Broadchurch (2013), a sixteen-episode series set in the small tourist-friendly seaside town of the title on the southern coast of England. The double case whodunit observes all the formal conventions of the mystery genre: the helpless victim, the shock of the affected parties, the dogged efforts of the detectives, the suspicious behavior of likely culprits, the enigmatic clues, the red herrings dragged across the trail. What distinguishes Broadchurch among the proliferate, often intricately clever, species of murder mysteries is the emphasis on character over plot, and the searing portrayals of emotional distress in all concerned, the investigators as well as the investigated.
Police procedure, forensic science, and legal conundrums are crucial to the proceedings but take a back seat to the foreground anguish, outrage, grief, indignation, lust, hysteria, rancor, remorse, mistrust, guilt, and see-saw relations among the characters. The web is complex and deep; every strand plucked reverberates the whole.
An eleven year-old boy is found dead, lying face down on the beach. The town constabulary has been assigned Alec Hardy (David Tennant), a new chief inspector with a damaged reputation to repair. His detective sergeant Ellie Miller (Olivia Colman), lifelong resident of the town, had expected promotion but instead must work with the taxing, abrasive new boss. Many of the possible suspects cannot or will not account for their movements. The local press has an eager young reporter willing to compromise journalistic integrity to win his spurs, while a heartless professional from a London daily has been dispatched to steal the story. Commercial interests worry that the paparazzi might scare off the tourist trade.
A past unsolved case haunts Inspector Hardy, the murder of a young girl and disappearance of her baby sitter that was allegedly botched when the detective carelessly allowed critical evidence to be stolen. Both cases devour him and drag in reluctant Detective Sergeant Miller.
Local inhabitants in the simmering town of 15,000 know each other painfully well. Their concourse lends itself to undigested jealousies, long-tended grudges, and half-hidden secrets. Their intimacies and loyalties are threatened and tested by the murder investigation. Coincidences and cross purposes abound.
There is, for example, a personal rivalry between headstrong defense attorney Sharon Bishop (Marianne Jean-Baptiste) and arrogant prosecutor Jocelyn Knight (Charlotte Rampling), her former mentor. Reverend Paul Coates (Arthur Darvill), himself not beyond the reach of the investigation, treads carefully among thorny issues presented by his parishioners while his offers of spiritual solace fall on stony ground.
Chris Chibnall created the series for Kudos Film and Television. The Wessex location, with its restless sea, its towering cliffs, and its claustrophobic village, provides visual tension to the accumulating suspense. Sweeping panoramas of verdant fields and sparkling waters in the bay promise that life endures in spite of human agonies.
Sparks fly, passions flame, and fevers never cool in this gripping, intoxicating series.
(Review posted on Amazon.com, March 29, 2017)